Nostalgia for the 1990s remains heavy. Just look at all those stadiums and parks the Gallaghers are filling. Football from the late 20th century has a similar cachet. No video assistant referees, no sportswashing; just good, hard, honest, simple fare, when men were men and pressing was what you did to your Burton suit. If the past is a foreign country then a recent BBC Archive release is a primary source of a time when the continental import remained exotic and not the dominant division of labour.
âIs English Football In Crisis?â asks an edition of On The Line in October 1993, broadcast the night before Graham Taylorâs England played a key World Cup qualifier in Rotterdam. You know the match: Brian Moore correctly reading Ronald Koemanâs free-kick â âheâs gonna flick oneâ â and the pathos of Taylorâs hectoring of the linesman as Englandâs hopes of qualifying for USA â94 sink into the briny.
Such is the soap opera of the English game â its warring factions, its unrelenting thirst for cash â that a crisis is often close, though now further down the food chain than the England team and the Premier League. A televised meeting of 2025âs key actors is near unimaginable considering the secrecy many owners maintain, the global span from whence they come and many battles already being in camera through lawyers. The number of talking heads and influencers willing to step into the gaps is almost too grotesque to countenance. Snapshot to 1993 however, 14 months into the life of the Premier League, an entity barely mentioned over 40 minutes, and a room of football men are vehemently defending their corners. Just one woman is visible; the future sports minister Kate Hoey, and just one black face; that of Brendon Batson, deputy chief executive of the Professional Footballersâ Association. He remains wordless.
A raven-haired John Inverdale operates as a Robert Kilroy-Silk/Jerry Springer figure as various blokes in baggy suits â âsome of the most influential and thoughtful people in footballâ is Inverdaleâs billing â fight their corners. Here is a time before gym-buff execs, when male-pattern baldness is still legally allowed in boardrooms and exec boxes, when a moustache is anything but ironic.
âThe whole game is directed towards winning rather than learning,â complains John Cartwright, recently resigned coach at the Lilleshall national academy, a less than gentle loosener. Englandâs Football Association is swiftly under attack from Hoey over being âout of touchâ. Enter Jimmy Hill, a Zelig of football as player, manager, chair, the revolutionary behind the 1961 removal of the maximum wage, major figure â on and off screen â behind footballâs growth as a television sport. Few have filled the role of English football man so completely and his responses to Hoey are dismissive, truculent. âYou can only attack one question at a time and I find the attacks are so ignorant,â he rails, defending English coaching. Hillâs stance has not travelled well. Within three years, Arsène Wenger, among others, would be upending the sanctity of English coaching exceptionalism.
A short film from the ever gloomy Graham Kelly follows. The then-Football Association chief executive dolefully advertises his bodyâs youth development plan before David Pleatâs description of English youngsters as merely âreasonableâ rather blows Kellyâs cover. Former Manchester City manager Malcolm Allison, by 1993 a long-lost 1960s revolutionary, declares Englandâs kids were behind Ajaxâs as early as the late-1950s. âBig Malâ, demeanour far more On The Buses than On The Line, cuts the dash of ageing rebel, an Arthur Seaton still restless in his dotage, cast to the fringes as Cassandra.
Next the programmeâs wild card; Eamon Dunphy, footballer turned bestselling writer. The irascible face of Irish punditry for many decades seizes the stage with typical barbed lyricism, hunting down the stuffed shirts who run the game, full jâaccuse mode adopted from his opening words. âEnglish football has historically drawn its talent from the streets but unfortunately it has left its inspiration in the gutter,â he begins his own short film. Dunphy then lashes the âmerchant classâ that âhave always wielded powerâ, kicks against the âsubservientâ, celebrating footballâs âfree spiritedâ outsiders.
âFootballâs greatest men have usually been its saddest â ignored, betrayed or patronised,â says Dunphy, soon enough labelling English football media coverage as âbanalâ. âWhere is footballâs Neville Cardus?â he asks, referencing the Guardianâs legendary cricket writer, setting a slew of fellow journalists, including the late David Lacey, also of this parish, on defensive footings.
Cast in 1993 as rabble-rousing agent of chaos from across the water, Dunphy would declare himself an Anglophile in his 2013 autobiography, appreciative of the freedom found in 1960s Manchester compared to the illiberal Ireland he came from. Here he despairs for what made English football once so magical, bemoaning Allisonâs estrangement and that Hillâs experience was also confined to the sidelines.
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Arsenal vice-chairman David Dein, a prime Premier Leagueâs architect, is next for a Dunphy dagger. âYou seem exceedingly smug about the idea of kids having to pay more for their identityâ is a laser-guided attack on replica shirts being replaced each summer. It proves a tinderbox moment. Hill and Professional Footballersâ Association chair Gordon Taylor soon fly at each other. âGet yer facts right, Jim,â hisses Taylor as the subject of player wages ignites a bonfire fanned further by agent Eric Hallâs âmonster monsterâ smirks.
Inverdale calls for order and concludes with a round-robin from which Pleatâs âyou need an impossible man, a democratic dictator right at the top of footballâ sounds positively frightening. Somewhere in Pleatâs logic may lie the UK governmentâs imminent imposition of an independent football regulator, a process that led todayâs power brokers into a sustained, bloody battle against such interference.
Fast-forward 32 years, through Premier League and Champions League dominance, international failures and successes, foreign talent and investment, profit and sustainability, splintering media landscapes, womenâs football embodying national pride, much has changed and yet self-interest remains the darkest heart of English football.
